Hardpoint / Metalpoint was used longest in the Netherlands. Drawing tools were made by forming tin, copper, lead, silver or gold into a stylus or different metals were cut, beaten, or cast into various shapes and sizes. Metalpoint drawings can suggest shading by adding fine hatching lines to introduce shading in a drawing. Early Metalpoint drawings on paper date from around 1400-1420 and seem to be linked to manuscript illuminators working for the Burgundian court ... The use of Metalpoint coincided with the practice of painting in the pale and exacting egg tempera medium, before the widespread use of oil paint. The use of Metalpoint was common in the late Middle Ages and in the early Renaissance.
From around the beginning of the sixteenth century, Netherlandish artists such as Gerard David began to use Metalpoint for more spontaneous sketches. Metalpoint use faded in the 1520s and by 1579 its popularity experienced a revival, particularly in the Northern Netherlands. The last major artist to use the technique in the Netherlands was Rembrandt, who briefly carried a silverpoint sketchbook on his trip to Friesland in 1633.
Rare gold stylus / porte crayon combo .
The seal matrix depicts the Sun over a Phoenix with “Sans Pareil” or Unparalleled.
Drawing or sketching goldpoint opposite fitted with gold nib.
Drawing or sketching goldpoint opposite fitted with gold nib.
The Gold Pen nib may have been fabricated contemporaneous with the stylus creation or perhaps was added at a later time.
Top cap seal. “Cest Tout a Elle” / It's All Hers.
The porte crayon receptacle likely held an early crayon. This combo contains two styli for drawing / sketching.
The stylus receptacle was fitted with a gold or silver rod or heavy gauge wire. Note that sealing wax was melted and used to mount each new rod or wire.
This combo contains two styli for drawing / sketching.
The top stylus is constructed of very soft solid silver and may be reshaped after use.
The bottom stylus is able to be fitted with gold, silver, platinum or other metal rods.
The engraved seal matrix depicting a heart with early portrait and “CEST TOUT A ELLE” “IT’S ALL ABOUT HER”.
Netherlands Dutch silver Etui or Necessaire containing quill pen, Porte crayon, stylus and other Metalpoint tools. The silversmith and maker of this etui was Barend Enzering of Amsterdam. The date mark indicates that Enzering created this item in 1820.
The Etui case is 3 1/4" tall, 1 1/4" wide, with total contents weighing 96.4 grams or 3.1 ozs Troy. Other punched hallmarks indicate silver content, duty discharge mark and Barend Enzering’s maker mark. The top displays a heraldic seal partially visible.
Remnants of heraldic engravings are present on the lid of the etui.
Examples of Barend Enzering works are displayed at the Rijksmuseum in Amsterdam.
During the Middle-Ages communications of minor interest were written with a stylus on a small wax tablet and this set contains a stylus. After the 16th century discovery in Cumberland, graphite was used for writing. Graphite pencils were set in a metal holder or Porte-Crayon such as found in this writing case. The use of quill pens began in Spain in the 6th century and metal holders similar to the example in this set began as early as the 17th century.
A Flemish or Dutch 17th century silver penner complete with inkwell, quill knife, and cypher seal matrix.
The cut quill mount is an integral component of the penner.
The assembled length 3.60in/9.5cm, includes inkwell, quill knife, silver quill nib mount, and wax seal matrix. See Western Writing Implements, Michael Finley, page
Early quill knife blade shape which bolts onto the opposite end of a small inkwell. Based upon the quill knife aka penknife blade depicted above bolted into its mount, this silver penner is circa 1615-1630.
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